Creativity at Pixar
By Fernando Gros, re-posted from Fernando’s Desk:
This month’s Harvard Business Review carries a feature from Ed Catmull entitled “How Pixar Fosters Collective Creativity.” The article highlight three key organisational principles that govern Pixar:
1. Everyone must have the freedom to communicate with anyone
2. It must be safe for everyone to offer ideas.
3. We must stay close to innovations happening in the academic community.
What is fascinating about the Pixar example is the way they have managed to have both a hard-headed business culture (lines of authority, clear accountability markers, profit motive) and a free movement of ideas.
It’s kind of obvious to ask what shape a Pixar-like church (or mission, or theological college) would take. It would be an openly communicating institution, an intellectually trusting and nurturing institution, and a learning institution. I find that “vision” inspiring and motivating (though others will find it obtuse and detestable).
But, on a deeper level I can’t help but think it would also be a more spiritual institution as well—better able to grasp that God is not just an extension of our will, but the ground of our being; that God comes before us, not from us.
I’ve always clung to the idea of church as a creative community because in my view spirituality is the most fundamentally creative activity we can engage in. In many important ways, spirituality is creativity and creativity is spirituality.
That’s not to say that I’m beholden to the industry of “creative ministries.” In fact, I’m often skeptical about that trend, because it sometimes reflects nothing more than an extension of our own ego; as if God is only an image of our own hopes and fears, projected into the world. Or, that God only exists out there to be discovered in our reaching and striving.
If spirituality is creativity, then it must be so before we act, not after. Which means it must be a condition we find ourselves in before we are aware of our condition (or creatureliness). In that sense I see it as our attempt to express an identity even before we have an awareness of the limitations that act upon our identity.
That isn’t so much an immature stance as a childlike one—not unlike the childlike wonder of those who can’t grasp why it’s not possible to learn from the best regardless of who they are, those who have not yet been conditioned to accept that in so many avenues of life politics trumps innovation.
Fernando Gros is a writer and musician, living in Hong Kong. A former pastor, chaplain, banker, and pizza maker, he blogs on issues on faith and globalisation.
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Mr. Gros said, “If spirituality is creativity, then it must be so before we act, not after. Which means it must be a condition we find ourselves in before we are aware of our condition (or creatureliness)...”
This made me think of something Del tha Funkee Homosapien said in a song called “Madness.” “I believe you held something back for too long. It grew strong
And enegy has its own will, And people think they make music still
But music is there with out you or me we just manipulate, For better or worse so let it situate…”
Del, to my knowledge is not a Christian. I’m sure the language in his songs would offend the sensibilities of many Christians. Even his ideas about “energy has its own will” are very pantheistic. But the general idea is very similar. Our creativity, as Mr. Gros points out, has to be less about asserting our individual ego, and more about taking the God that is there, and showing others what that looks like through our lens. Michelangelo said he looked at a block of marble, visualized what he wanted to carve, and then took away everything that didn’t look like the thing he visualized. That is what our creativity needs to be…we have to take away everything that isn’t bigger than our ego.
Okay, I know that’s not really the point of this post…thanks for indulging me as I chase that rabbit.